The production editor or managing editor has a much broader remit than the editing roles described above.The aim is to finish with a polished work that is ready for typesetting or layout. The line editor or copyeditor focuses on writing style at the word and sentence levels, to ensure consistency in voice, tone, register, grammar, syntax and other language elements.Who is it for, and how will they read/use it? What’s the best way to optimise the narrative (or information) for the primary reading audience?

The developmental or structural editor works with the author at the big-picture (chapter or scene) level to clarify the form and shape of the book.

Together, they take the kernel of an idea and set out to collaborate and agree on how it might be brought to fruition.

The commissioning or acquisitions editor engages with authors in that fertile, early birthing phase.

In a publishing house, the publisher, publishing director or publishing board (or publishing committee) has the final say on all major decisions relating to the publication of a book, including approval of contracts, budgets and plans.

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Copyediting and style (or line) editing.

Contact – I need a copyeditor for my thesis.

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